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A film from my watchlist is leaving Netflix, so l have to watch it now. This is what I dislike about streaming services and why they don't replace owning films.

Karen David is a great actress and singer and by all appearances a great person, who I know from Pixelface and Waterloo Road. Though in the latter case I didn't realise it was her... Because of her I watched Galavant and that was such a great experience. It's a medieval comedy musical. Also because of her I watched Fear The Walking Dead, which made me discover other great actresses and which I'm still following. People may also know her from Once Upon a Time, but I was already following that...

Now I'm watching an early film she's in: The Scorpion King 2: Rise of a Warrior.
#KarenDavid #TheScorpionKing2

imdb.com/name/nm1314042/

in reply to Gidi Kroon

The Scorpion King 2, ending
So many films end on a 'and the boy and the girl lived together happily ever after'. This teases going that way, then in the last second doesn't. I somehow like that.
in reply to Gidi Kroon

The Scorpion King 2: Rise of a Warrior is a fun watch, but the story doesn't make that much sense. It's great to see Karen David of course. The film seems aware enough of the usual tropes to not blindly follow them while still hinting at those, but it isn't smart enough to count as a commentary on the state of fantasy action films.
#KarenDavid #TheScorpionKing2


At the beginning of the day make a small list of things you want to do that day, they say. At the end of the day change the date at the top of the list to tomorrow's date, I do.

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🥳 I'm pleased to announce that "FEP-1b12: Group federation" has just been finalized. Find the document at codeberg.org/fediverse/fep/src…

👆 This FEP (Fediverse Enhancement Proposal) describes how groups are implemented in existing Activitypub platforms using `Group` actors. This is the fourth standards document to be finalized under the FEP process and continues efforts to help interoperability across the fediverse.

🛖 View other proposals and submit yours at codeberg.org/fediverse/fep.
#fediverse #fep #standards #activitypub #socialhub

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Happy Birthday, Chloë!

Today Chloë Grace Moretz turns 26. I'll be rewatching The Miseducation of Cameron Post to celebrate!
#ChloëGraceMoretz #TheMiseducationOfCameronPost

letterboxd.com/film/the-misedu…

in reply to Gidi Kroon

The Miseducation of Cameron Post
Cameron is more of an observer character than the one stuff happens to, eventually she's the one best able to put things into words. That moment when she realises the therapists don't know what they're doing and how that coincides with the therapist himself realising it too, is so great.


The Peripheral season two has been announced, just in time for Chloë's birthday! Happy Birthday, Chloë Grace Moretz!
#ThePeripheral #ChloëGraceMoretz


"Turn regularly"

Turning it over once, halfway the cooking time, is also sort of regular.


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The grounding of the bird was short lived, it seems. Also, weirdly, even though it's 9 February and the free api should have stopped working, the api worked fine from my server.

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The thing with mitigating risk is that if you stop doing it things don't fall over immediately giving detractors ample time to argue that your worries were unfounded.

Gidi Kroon reshared this.



Tomorrow You season four starts on Netflix, with Amy-Leigh Hickman as Nadia. Apparently it starts off as a murder mystery, which is different since in previous seasons we knew exactly who the killer was... Amy-Leigh says we will be surprised by Nadia. I say we will be surprised by Amy-Leigh Hickman. She is a seriously good actress.
#AmyLeighHickman #YouNetflix

I tried to retweet the promotion, but apparently I'm not allowed to help since I've reached the maximum amount of tweets for the day. Which is apparently 0. Anyway, this time twitter is properly broken and we'll have to do with a link to the video here.
twitter.com/extratv/status/162…

in reply to Gidi Kroon

Binging all five episodes means just that I had to rewatch the final one since I remembered nothing of it. Anyway, some theories still hold for part 2 of the season (9 March) and the solution of the part 1 mystery was one of the things I thought about early on and not really that great a revelation; I guess it's all a setup for part 2. I'll be watching that!

Amy-Leigh Hickman's character Nadia is not unlike Ellie, the character that grounds the story in reality. And she's brilliant. It is what I missed in season 3.
#AmyLeighHickman #YouNetflix



Admin tip: if you see that a problem with the server is going to occur in the future, like slowly running out of resources, ignoring it doesn't make it go away. For now solved by using a less cheap setting, but I really need to figure out what is using the resources.

Also, running multiple applications on the same host doesn't help in identifying where a problem comes from.



Like the "I'm not a robot" test during signup for an account, we may need "Not written by a robot" signatures on any online texts.

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Keep provoking them and we'll never get any mangoes.
-- Pupok


#OrphanBlack

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I have of course seen all of Orphan Black already when it came out on Netflix, but I am still behind on seeing Tatiana Maslany's on my own discs. Season three now.
#TatianaMaslany #OrphanBlack #NowWatching
in reply to Gidi Kroon

Helena's "Where are these mangoes?" is such a classic line and so Helena. She follows it up in the same scene with telling an identical clone: "I met your brother. He's ugly.".

I love shows that are so character-based, especially when writers and actresses get it exactly right.
#OrphanBlack

in reply to Gidi Kroon

Tatiana Maslany's performance is exceptional. Everybody keeps saying that you keep forgetting she plays all those different characters, because it is true, you forget. All clone characters are so different, but also such completely formed individuals, that each could be the central character of their own tv show. Anyway, on to series four.
#TatianaMaslany #OrphanBlack
in reply to Gidi Kroon

Tatiana as [a clone] as [another clone]. It never ceases to amaze. It isn't just mixing some mannerisms. It is doing exactly how this one character would have pretended to be that other character, within their ability. E.g. Sarah is much better at it than Alison (and Helena doesn't even try).
#TatianaMaslany #OrphanBlack
in reply to Gidi Kroon

Found myself doing it again: I'm watching a making of extra and there's Tatiana Maslany explaining how horrible it was handling some gory, rotten, head, and I'm thinking 'that wasn't Sarah cutting up that head, that was Cosima'.
#TatianaMaslany #OrphanBlack
in reply to Gidi Kroon

A very interesting thing they mentioned in the behind the scenes interviews is that MK's scars on her face are only shown once and hidden in all other scenes behind hair, shadows, etc. But Tatiana Maslany insisted on having the makeup put on for every MK scene anyway, because she just wanted to have the feel of it being there.
#TatianaMaslany #OrphanBlack
in reply to Gidi Kroon

Of course, one can to some extent and should especially at the beginning, describe each character's personality in depth and distinctive, however, in this case, at some point it has to have been Tatiana Maslany who made small decisions on how to portray a character as another character. And that instinct is just so on point
This entry was edited (1 year ago)
Unknown parent

Gidi Kroon
@feld It is. I was really due for a rewatch and am fully enjoying it.
@feld


Next week's Father Brown (BBC, daytime, Friday) will be an episode with Sarah Smart and Kara Tointon, double the reason to watch.
#FatherBrown #SarahSmart #KaraTointon

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so, anyway, i've been reminded about why i hate the fediverse. and as a result, i've been slowly piecing together the last bits of rapunzel so we can build systems based on consent and autonomy rather than islands and politics

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in reply to Ariadne Conill 🐰:therian:

rapunzel can be thought of as an alternative "transport" for activitystreams JSON-LD data.

the actor model, as in activitypub, is replaced with decentralized identifiers based on cryptographic public keys. those public keys can be associated with any number of petnames using WebFinger.

in reply to Ariadne Conill 🐰:therian:

specifically, in the rapunzel network, messages are:

- *always* encrypted using a CEK (content encryption key) which is itself encrypted to the recipient's public key.

- sent to one or more specified ring logs in a webfinger response.

- optionally published in one or more outbox ring logs: in this case, the message CEK is encrypted to the publisher's public key. this is basically pointless from a cryptographic point of view, but the construction allows us to be consistent re: the OCAP model (e.g. access to the message remains bound to a capability, it just happens to be public)

in reply to Ariadne Conill 🐰:therian:

ring logs are:

- cryptographically attested logs which can be forgetful. e.g. they can support a quota, where old data is evicted from the ring log to make room for new data.

- merkle trees in the same way git repositories are merkle trees (e.g. messages are like git commits)

- optionally witnessed by trusted notaries: this is intended for people who want to reduce trust in the ring log storage providers they choose, by ensuring that the ring log provider is serving them the same data as the witness.

in reply to Ariadne Conill 🐰:therian:

there is no traditional authorization to read a ring log.

as messages appended to the ring log are encrypted to the recipient (or are public), only holders of a key able to derive each message's CEK is able to do anything useful with the ring log data.

they are designed to be stored anywhere. by anyone.

in reply to Ariadne Conill 🐰:therian:

there are a lot of problems still to solve with rapunzel. collaborative reputation management is a key one.

but i have thoughts on what that might look like: ariadne.space/2022/12/03/build…

in reply to Ariadne Conill 🐰:therian:

conceptually, you can think of rapunzel's ring logs in a lot of the same ways as you might think of git. they are heavily inspired by git.
in reply to Ariadne Conill 🐰:therian:

things rapunzel (+ ipfs) is possibly good at replacing:

- "mastodon" (fediverse)
- discord
- matrix
- IRC
- scuttlebutt
- etc.

in reply to Ariadne Conill 🐰:therian:

an exciting idea would be to provide a mapping interface between cryptographic identifier (DID) and petname using something akin to bittorrent DHT. i see no reason why kademlia could not support that.
in reply to Ariadne Conill 🐰:therian:

honestly when I first heard about nostr I thought it was going actually going to be something like that.
(Spoiler: it wasn't)
in reply to Oblomov

@oblomov nostr, at-proto and all the rest of the stuff out of Dorsey's sphere of influence are based on an incomplete misunderstanding of my ideas with rapunzel 🙃
in reply to Ariadne Conill 🐰:therian:

My idea for names in a system like this with cryptographic ID was "mining" them - brute force for N bits of text (maybe base 32) you like, with rest appearing as human checkable dictionary words & visual & auditory fingerprints. With distributed reputational system incentivizing reporting of partial collisions obviously intended to be misleading.
in reply to Ariadne Conill 🐰:therian:

working on it. Stock kad is probably too slow, but using it to get started. talk.fission.codes/t/nns-the-n…
in reply to Ariadne Conill 🐰:therian:

The problem with things that claim they will "replace IRC" for me, is that I can literally use netcat (or openssl s_client) to connect to it, and throwing together a simple bot to do something is just waaay to easy. And the client setup I have is better (for me) than anything else I've tried (in the space of chat programs).
in reply to Ariadne Conill 🐰:therian:

it's kind of long but I get to my point at the end; critique (but there's only critique bc I think it has potential)

i've looked at a few of these and the biggest problem i've seen is respecting the individual nodes' resources.

there's some inherent overhead added upon the baseline of a completely centralized system of course, but a lot of projects seem to not factor exactly /how/ much is added into the design.

see: my synapse DB was ~27GB a week ago after existing for ~2 years. my entire znc data dir is 2GB, and it ran for maybe ~3.5 years.

e.g. the CEK key is nice in theory, but if you look at matrix getting it working well seems to be very painful. and similarly, if OCAPs become an actual programmatic construct that could leak into bandwidth/disk space.

in reply to mei 🌒&

re: it's kind of long but I get to my point at the end; critique (but there's only critique bc I think it has potential)
@ckie right, exactly. this is why i think the ring log structure is important: old data can be evicted from it while maintaining integrity of the log. this keeps the resource costs down.
in reply to Ariadne Conill 🐰:therian:

re: it's kind of long but I get to my point at the end; critique (but there's only critique bc I think it has potential)
yeah, I think what I was trying to say it's that it seems quite important to look at past protocols for what not to do; matrix E2EE is still flaky, and sometimes it'll take a while to decrypt since there's a <unqualified> few long roundtrips to get the ciphertext for the viewing device (and ultimately the homeserver can still just fake devices; element's UI makes verification sound like a nice-to-have without explaining exactly what it accomplishes to the user.) </unqualified>
in reply to mei 🌒&

re: it's kind of long but I get to my point at the end; critique (but there's only critique bc I think it has potential)
@ckie the problem with matrix, in particular, is that the E2EE is stateful (this is necessary for any E2EE implementation that uses a ratchet). by contrast, rapunzel is intended to be as stateless as possible.
in reply to Ariadne Conill 🐰:therian:

This sounds like we wouldn't need instances (as in infrastructure+moderation+blocklists) anymore, only "content neutral" infrastructure.

Sounds good. Might turn the "job" of an instance moderator more into a "blocklist curator".

And of course could decouple infrastructure support/maintenance from moderation.

(Currently extrapolating a bit, sry)

in reply to Ariadne Conill 🐰:therian:

Hi. I'm working in a descentralized health service. We are always looking for a platform to our EMRs.
Those we know are fit for big clinics, and very hard for the professionals (including "GNU Health").
So we think "how about a social network: after all, a MR is like a blog, once you have that, you just need to analize it to know what you need, and to not know what you don't.
The concept of "consent and autonomy" is at the root of our service, so I think "maybe this people have what we need".
¿Do you think this would be the case whitg rapunzel?



#NowWatching Felicity Jones in A Monster Calls. It looks like the film is mainly about a little boy and the monster, with Felicity playing a supporting role of the boy's mother. So often, for actresses, once they no longer play the teenager in an coming-of-age story they become the mother and somehow that's hardly ever the main role in a film; for male actors this rule doesn't seem to apply.
#FelicityJones #AMonsterCalls
in reply to Gidi Kroon

A young boy has to deal with a bully at school, his mother being ill, a strict grandmother and the annoyance of a monster telling allegories, all the while learning some life lessons.

I didn't really feel this film, maybe because the monster was not very convincing as either a monster or a storyteller. Felicity was as feared not in it enough for my liking.


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Scream VI–Jenna Ortega’s next project is sequel to last year’s horror hit

#JennaOrtega #Wednesday series #previews #movies

borg.com/2023/02/02/scream-vi-…

This entry was edited (1 year ago)

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in reply to borg.com 🪐

@borg.com 🪐 fyi She has smaller films coming up to and already filmed: Finestkind, Miller's Girl and Winter, Spring, Summer or Fall.

I like her doing the smaller films. She can still proof herself and she doesn't need the fame.
#JennaOrtega

in reply to Gidi Kroon

i am looking forward to them too
This entry was edited (1 year ago)


Watching a very long making-of for a Chinese film, without English subtitles. I have zero idea what they're talking about.


Failed doing an online training today, not because of the training itself but because I can't find it on the site.


A common theme in most Asian cinema that I have seen is that it has Zhang Ziyi in it. House of Flying Daggers, Crouching Tiger Hidden Dragon, Memoirs of a Geisha, 2046, Hero, The Warrior, The Banquet. Doesn't really say much about Asian cinema, more about me, or her. But now I'm watching Jasmine Women which I haven't seen yet. It is also known as Jasmine Flower.
#ZhangZiyi #JasmineWomen #JasmineFlower #NowWatching
in reply to Gidi Kroon

I was wondering which of the three women Ziyi would play and it turns out all of them.
in reply to Gidi Kroon

The film is at first difficult to get into since the young woman in the first generation is a very naive character, but each generation the woman is smarter, stronger and more independent. The film turns out to be much much darker than you'd suspect once you realise what the things are that are not spoken about and hardly shown, but which have a fundamental influence on someone's life. I really enjoyed this film. Ziyi is really great playing three different and growing personalities. And it has probably the most memorable giving birth scenes of all films ever...
#ZhangZiyi #JasmineWomen #JasmineFlower


If you see this message there is nothing wrong with my wifi despite what the chromecast says.
in reply to Gidi Kroon

It's Wednesday again so it's Wednesday again. For Mastodon users: that's first Wednesday the day of the week, then Wednesday the tv show. My fourth run-through I think, now one episode every week. Because Jenna Ortega is so brilliant.
#Wednesday #JennaOrtega


I don't quite know what it means yet, but Adidas says they haven't done a new label in 50 years, but they are going to and Jenna Ortega is going to be the brand ambassador of it. That's all I know. More to be revealed. This was from an official Adidas press release.
#JennaOrtega #Adidas

(Photo copyright Adidas)

This entry was edited (1 year ago)

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in reply to Gidi Kroon

Most people will associate her with acting, red carpets, fashion and high heels, but people who have been following Jenna Ortega longer will know that sports and soccer in particular are very much part her. At some point as a kid she had to choose between the acting or continuing playing soccer and it could easily have gone the other way.


We all know harassment is bad, but on the fediverse there seems to be a subset of (often external) people of which the consensus is that it is fun when they are harassed. I don't agree with that.

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It's #WerewolfWednesday, and I have a story I really wanna share:

In 1691 an 80-something Livonian man named Old Thiess was called to court as a witness in a theft case. As he was sworn in, another witness laughed: "How can he swear a holy oath when everyone knows he is a werewolf?"

The judges immediately forgot about the thief and put Old Thiess on trial. He calmly admitted that yes, indeed he was a werewolf.
1/6

#folklore #werewolves

This entry was edited (1 year ago)


Maybe it's my insecurity interpreting "thanks for asking" with an implicit "and now leave me alone", or maybe it's correct, but I tend to err on the side of caution, because I just literally can't tell.


Just started watching South of Hell, which I know nothing about except it's a tv series with Mena Suvari hunting demons.
#MenaSuvari #SouthOfHell
in reply to Gidi Kroon

The sfx with the eyes isn't really good... But the concept that she hunts demons possessing people helped by the demon possessing her, is quite nice.
in reply to Gidi Kroon

It was good to see Mena Suvari, both as the demon hunting woman Maria and as the demon hunting demon Abigail. But other than that the series does not have much going for it and I would instead recommend finding something else with Mena in it to watch...


pinned opinion about nude scenes in films

My opinion about nude scenes in films: against my own interests I believe that they are always avoidable and the same impressions can be achieved in other ways.

Many actresses are somewhere in their career forced to do a nude (sex) scene. The male actors hardly ever are. To me the purpose seems sales rather than art. I'd wish for films to never include nude scenes and to always use suggestion instead.

This entry was edited (1 year ago)


In saying who's a good actress and in buying their films I really do not care how famous they are (either way, some people are snobs and ignore those who are famous). It's just that for some people there are way more projects to talk about.

I'm now going to watch my blu-ray of Nina Forever, with Abigail Hardingham. It's a horror film, but it's the middle of the day so hopefully I don't get too scared.

I had known she was a good actress, but when I saw her in a double episode of Silent Witness I was stunned how good that performance was. I mentioned this on Twitter, years ago, and was shocked to get a thank you. Some people don't get praise all the time, even though they should.

On the cover, Abigail is the one on the right, not the eponymous ghost character.
#AbigailHardingham #NinaForever #NowWatching

in reply to Gidi Kroon

The dead ex-girlfriend really objects to being called "ex". Her argument: we never broke up. Where's the lie, though.
in reply to Gidi Kroon

A very original treatment of baggage in a relationship, in the form of a horror film. A ghost story, but told from the perspective of the living, showing what it means for them. As such, Abigail Hardingham plays the main role, even though she isn't the Nina of the title. Great performance and a very worthy film.
#AbigailHardingham #NinaForever


#NowWatching something good, with several great actresses in it like Helena Bonham Carter and Carey Mulligan: Suffragette.
#HelenaBonhamCarter #CareyMulligan #Suffragette
in reply to Gidi Kroon

So far the parallels with the Belgian film Daens (1992) are remarkable (that one is about a moment of social change in Belgium involving a priest called Daens). A smart young woman (Maud/Nette) observes hardships while working in a factory, including the brutality, including sexually, by the male supervisor. There's a government committee that will hopefully bring about change, but their hopes are dashed, resulting in an act of great police brutality. Even down to the committee members being ushered away and the policemen being on horseback. Though I must say that Daens did all this much better and I urge people to see that film. Antje de Boeck is truly amazing as Nette.

Anyway, I'm now wondering who will go to Rome for an audience with the Pope... For surely from here on the stories must diverge.

in reply to Gidi Kroon

Of course Carey Mulligan and Helena Bonham Carter are very good in this. But the film seems a bit lightweight. The suffragette movement is depicted as a choice, rather than born out of desperation, especially for the rich ladies. The comparison with Daens is that there Nette was forced out of desperation to fight for social change. Here Maud almost accidentally joins the movement.


#NowWatching Bad Neighbours 2 because it has Chloë Grace Moretz in it. This is a film of before she realigned her project choices and I'm only watching it for completeness. Or maybe it'll be fun. Anyway, I'm sure Chloë will be good as always.
#ChloëGraceMoretz #BadNeighbours2
in reply to Gidi Kroon

When you see a very unrealistic representation of university life, it's not clear whether it's because of it being a comedy or that we are supposed to think (American) university life is like that.

Also, a group of girls asserting their independence as a sorority by doing exactly what a guy tells them to do? I hope this becomes a plot point later on...

So far, every single character is not being true to themselves, but not really in a comedic way.

in reply to Gidi Kroon

A bit difficult to find something positive in this film. It seems to try to be a comedy with a feminist slant to it, but is at risk of only making fun of feminism. Maybe the resolution at the end is the only good thing, and of course that Chloë was indeed in it.


So often the quaint or old English is the current Dutch.

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music player software should understand that never, under any circumstances, do I ever want to replace my current play queue with a single click

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Seeing the BBC version of His Dark Materials series 3 and there are rather beautiful subtitles on all the 'mulefa' dialogue. They show both the original and the translation as Mary is slowly learning the language. On the HBO broadcast we didn't get this at all. There there were whole scenes in this fantasy language, with no indication what it was about. That was weird and now I'm jealous...
#HisDarkMaterials
in reply to Gidi Kroon

I'm realising yet again that I want to see everything else Dafne Keen will act in as well, and that it means I will have to watch some more Star Wars.


I may have written quite some articles for the student periodical in my university days, but here's me letting you in on a secret: almost all of them were filler stories like mentioned in the previous reshare by @Jason Lefkowitz. Though I didn't know the term 'bus plunge story'.

Our periodical needed to be a multiple of four pages, due to how it was printed. And even though it was laid out on the computer (wordperfect, but then laser printed and the pictures glued in by hand), there was only so much whitespace you could remove and articles you could shorten. At some point you realised you were still half a page over and you were just going to have to add content to make it to the next multiple of four.

I wrote so many totally pointless articles, quickly, after the deadline, but before the printer offices closed...



Doing one Wednesday per Wednesday for my fourth run-through of the series. Meanwhile also at episode four of The Lizzie Borden Chronicles. There's something quite Wednesday about this Lizzie.
#JennaOrtega #Wednesday #WednesdayNetflix #ChristinaRicci #TheLizzieBordenChronicles


I may have totally missed the joke about shitting down vs booting up.


Every single time I upgrade handbrake, I forget to safeguard libdvdcss.


In the meantime, while the conversion runs and the PC is making a lot of noise to pretend it's busy, the amazing Stephanie Leonidas in Dracula. I've seen this version and as always she's very good. Though as always in stories the female lead is more the object than the subject, even more so in a Dracula story. What's great is that Stephanie really shifts her character when the influence of the count becomes stronger.
#StephanieLeonidas #Dracula
This entry was edited (1 year ago)
in reply to Gidi Kroon

This is still early in the film, I keep freeze framing because I'm also making dinner.