Hi, when I follow someone I usually do this from multiple accounts, with different servers and platforms. This is partially as backup. It’s also because different software has different features. E.g. at the moment of writing I mainly post from my Friendica server, but it doesn’t yet support polls, or account migrations. So I also follow from my Pleroma server, which does notify me someone has migrated.
I also sometimes use platforms that support nomadic identity, that allows my channels on multiple servers to be synced. From software that doesn’t support that, a follow request looks like multiple separate requests from those channels.
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#LindsayArmaou
Great interview with Lindsay Armaou of B*Witched, talking an hour long about fame, becoming a pop band, image, the hectic schedules, breaking America, being dropped by the label and then starting up again and now decades later still going on. I have been and still am such a huge fan of hers, since before their first single was even scheduled for a release and I was afraid after that first time I saw them I would never hear from them again. Then their first four singles each entered the charts at number one and they became a record smashing (not literally) band.
#LindsayArmaou #B*Witched
youtu.be/RR95i9Krhxk?si=EA9xb4…
Lindsay Armaou 'B*Witched' - an interview.
Lindsay and I spent a fascinating hour together talking about her time with hugely popular girl band B*Witched. We spoke about fame, the industry and the ban...YouTube
In this The Guardian interview the band B*Witched talk about 1998, just before they became famous, and what happened since. They recreate a publicity photo they did then.
I was a huge fan. Mainly of Lindsay Armaou. Still am. I had seen them about a year before their first single came out in something I happened to catch on video tape. I was struck.
B*Witched in 1998, photographer unknown.
B*Witched in 2022, by Simon Webb.
#Bewitched #B*Witched #LindsayArmaou
theguardian.com/lifeandstyle/2…
B*Witched look back: ‘We can still do the dance moves – maybe not the bouncy ones’
The 90s pop sensations talk friendship, fame and double denimHarriet Gibsone (The Guardian)
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Even though B*Witched was one of the most real girl- (or boy-) bands at the time (actually talented performers, down to earth people), there's still some manufacturing going on as you can sense in that article. I dislike that aspect of pop music with a passion. Sinead was made 'the blonde one', Keavy had her personality and hairstyle assigned that she didn't feel happy with. But they were really young women, trusted the record company and went with it. I think other bands are manufactured to even much higher degrees.
The article doesn't mention it specifically, but when Lindsay talks about being 20 (and the youngest) when they started, we early fans know that is not what was in all the biographies... There she was 18, fresh out of high school was her origin story. I think ages 18-24 could be marketed better to high school kids than 20-26...
#LindsayArmaou #StayClose
imdb.com/name/nm0035328/
Lindsay Armaou - IMDb
Lindsay Armaou, Soundtrack: The Smoke. Lindsay Armaou was born on December 18, 1978 in Athens, Greece as Lindsay Gael Christian Elaine Armaou. She is an actress and composer, known for The Smoke (2014), What Women Want (2000) and Wireless (2014).Lindsay Armaou (IMDb)
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Gidi Kroon
in reply to Gidi Kroon • •#LindsayArmaou #B*Witched