Gidi Kroon

gidi@friendica.gidikroon.eu

TV addict, science fiction enthusiast, proud inhabitant of Earth (our only home).

Trying to show support for films, tv series, actresses and musicians I admire. Posting some tech and politics in between.

There's nothing wrong with fighting for social justice. Black Lives Matter. Gender equality. Fight for a sustainable use of environmental resources.

Posts by me are published cc-by, so they may be shared, boosted, reposted, reblogged, retweeted, etc. Posts and/or photos by others that I share remain copyright by the respective owners. Posts by me are searchable in the opt-in index of tootfinder. This profile is discoverable on the opt-in fediverse.info people directory (#fedi22).

My tags for services that don't support or see profile keywords:
#film, #movies, #music, #tv, #photography, #scifi, #actresses, #fandom, #science, #physics, #astronomy, #electronics, #programming, #technology, #android, #politics, #news, #environment

People I'm likely posting about:
Jenna Ortega, Dove Cameron, Miranda Cosgrove, Stephanie Leonidas, Jodie Foster, Alizée, Dafne Keen, Alexa Nisenson, Bella Gantt, Katie Douglas, Ciara Bravo, Amy-Leigh Hickman

Network Posts

Netherlands

https://gidikroon.eu/

Gidi Kroon

1 year ago •

Gidi Kroon
1 year ago •

It's happening again: the film account for Finestkind has been promoting since forever that its release on Paramount+ is 15 December. That's now, so I check: nothing. Loads of other people in the comments having the same problem. It looks like it may have been a release in the US only. They literally never mentioned that. Which also means that there is no word whatsoever if I am ever going to get to see it here.
#Finestkind #JennaOrtega

in reply to Gidi Kroon

Gidi Kroon

in reply to Gidi Kroon • 1 year ago •

I'm so done with the entertainment industry thinking that the US equals the world. And with regional release dates.

I know that the argument is that the local distributors can have their own campaigns and social media accounts promoting their local release. But they never do. Because the US accounts always present themselves as the overall global one, representing the film to the world, until they don't.

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